Beyond the paint- Raising issues … Indigenous artist Bindi Cole likes to “push people's buttons” through her photography. 66742 Picture: DAMJAN JANEVSKI

By Natalie Gallenti
BINDI Cole’s artwork comes with a poignant message.
And next month, the Caroline Springs artist will be able to share her message with New Yorkers.
The award-winning photographer of Wathaurung descent recently received a $25,000 State Government grant which will see her exhibition Nyah-bunyar, meaning temple, on show at the Museum of Contemporary African Diasporan Art in New York.
Ms Cole hopes the exhibition, which features other prominent artists like Vicki Couzens, Maree Clarke and Yhonnie Scarce, will help to break down stereotypes of what it means to be Aboriginal.
“It’s important that people understand Aboriginal culture,” she said.
“It’s not just dot painting and bark drawings – which are beautiful and valid forms of art – but also about contemporary urban artists focussing on contentious issues.”
Ms Cole said while she is not the type of person to “push people’s buttons” in her personal life, she thrives on her work, forcing members of the community to reflect on the stereotypes they have held for many years.
“My Aboriginal heritage often drives what I want to say to the community through my work.”
The 36-year-old said her latest exhibition looks at how urban people, in particular those of Indigenous heritage, can live spiritually.
“I think society tells us that spirituality is not important.
“But if I have spirituality, then I have peace in my life.”
The modern artist said since beginning her first photography course in 2003, art has dominated her life.
“The only way to be successful in this industry is to work your butt off.
“Sometimes, you have to sacrifice your social life to do what you love.”
Ms Cole said she hoped the upcoming trip to New York would raise her profile as an artist and curator overseas.

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